Saturday, November 29, 2025

Eriko Jizo Guanyin

 

Sammi found the “news” she was looking for in the way the Su Causeway hummed under her boots.

She wasn’t walking anywhere in particular—just along the familiar spine of stone, letting the morning crowds flow around her: porters with baskets, scholars with rolled scrolls, tourists squinting up at the stacked houses.

But her thoughts were back on the airship and at the opera.

On Xiangyun, moth-wing heart beating itself sore against the glass of Eriko’s lighthouse mind.

On Eriko in the little black dress, looking simultaneously astonished and dangerous.

On herself, and the way jealousy and protectiveness had twined together in her chest like two suspicious snakes who were trying to learn to dance.


News, Olds, and Brother Wei

She found Brother Wei exactly where she should have expected: striding slowly down the Causeway with his begging bowl in one hand and a folded sheet of philosophy in the other, halo ticking gently above his head.

“Good morning, half-enlightened one,” Sammi said, falling into step beside him.

“Good morning, fully-conflicted one,” he answered without missing a beat.

Sammi snorted. “That obvious?”

“You’re talking to the man whose halo has a feedback loop,” Wei said. “Your heart is loud today. What troubles it?”

She hesitated, then—because she liked how Wei never pretended that feelings were less complicated than theology—told him.

About Xiangyun’s crush and Aya’s spell. About the kabedon in the corridor. About the way Eriko had blushed, how Sammi had both wanted to wrap her in blankets and drag her back into the dress just to look at her again. About guilt: I put her in that dress, I set the beacon brighter.

Wei listened, bowl cradled in his palms like a portable shrine.

When she finished, he said, “You love Eriko. You also love stories. These two loyalties are currently rubbing together like unfiled gears.”

“Xiangyun is a story too,” Sammi admitted. “One I don’t want to crush.”

“Mm.” Wei’s halo spun once, thoughtfully. “There are vows that separate the world into what is permitted and what is forbidden. And then there are spaces made for… experiments. For truths that cannot breathe under ordinary roofs.”

He glanced up toward the green line of hills beyond the lake.

“At Lingyin Temple there is such a space,” he said. “A hidden shrine to Guanyin—Jizo to your Eriko. There, women can pledge themselves as hierodules for a day: attendants of the bodhisattva of mercy. Within that service, a little chamber is opened that sits… sideways to ordinary time.”

“Sideways,” Sammi repeated.

“Actions taken there do not erase consequences,” Wei said carefully, “but they are held gently. Karmic weight is… redistributed. Hearts may try on shapes they could not bear to wear forever.”

“And you’re suggesting,” Sammi said slowly, “that Eriko and Xiangyun—”

“I am suggesting nothing,” Wei said quickly, halo jittering. “I am merely describing an architectural feature of the spiritual landscape. What you do with topological possibilities is your department.”

But his eyes were kind.

Sammi walked on in silence for a while, the idea knocking around inside her like a loose marble.

“Could mercy look like…letting a different story happen, just once?” she asked finally.

Wei smiled. “Mercy has worn stranger costumes.”


Round Story, Round Window

Back at the Round Story apartment, the building let her in with a little questioning creak: Well?

Eriko stood at the round window, arms folded on the sill, chin resting on them. From here the lake was a sheet of light; the Opera House a ridiculous crown at the north end; Jin’s airship a little figure eight of shadow as it circled above the docks, testing some new whim of lift.

Sammi slipped her arms around Eriko’s waist from behind, pressing her cheek between Eriko’s shoulders.

“You look like a poem checking its rhymes,” she said.

Eriko made a soft, rueful sound. “I’ve been thinking about Xiangyun,” she admitted.

“Me too,” Sammi said. “Probably for slightly different reasons.”

Eriko turned in her arms, searching her face. “Are you angry with me?”

“For being magnetic?” Sammi snorted. “Never. For almost getting seduced in a corridor while under the influence of weaponized opera? Only mildly.”

Her expression softened.

“Mostly,” she said, “I’m thinking about…the part of you that lit up when she talked engines. How your eyes go all bright when someone meets you in that weird sky where maths and metaphysics live. I would be a terrible girlfriend if I wanted to lock that away.”

Eriko’s throat worked. “But you pulled me out of that corridor.”

“Yes,” Sammi said simply. “Because you looked cornered, not free. I will always do that.”

She hesitated, heart pounding.

“But what if there were a place,” she went on, “where you weren’t cornered? Where you could meet that side of Xiangyun with all your defenses down, and nobody got…broken.”

Eriko’s brows drew together. “You’ve been talking to Brother Wei.”

“I have,” Sammi conceded. “And he reminded me that some temples specialize in…sideways solutions.”

She told Eriko about the shrine at Lingyin as Wei had described it: a small cell behind a modest door, thick with offerings and incense, where time became soft like clay. Where women, pledging for a day as servants of Guanyin/Jizo, could ask for mercy not only for suffering but for desire itself.

Eriko listened, eyes widening, face going through several equations’ worth of expressions.

“You would…send me there?” she said at last. “With Xiangyun?”

“I would send you to yourself,” Sammi said, carefully. “To Guanyin, whose job description is literally ‘compassion,’ and to whatever configuration of you and Xiangyun feels true when no one is watching except a bodhisattva and some very nosy incense smoke.”

She cupped Eriko’s face.

“I love you,” she said. “I’m not afraid of there being more of you than I can personally occupy.”

Something hot and wet rose in Eriko’s eyes.

“You are absurd,” she whispered. “And terrifying. And I love you so much it hurts.”

“So that’s a ‘maybe’?” Sammi asked, trying for levity and almost managing it.

After a long moment, Eriko nodded. “If Xiangyun wishes it,” she said softly. “And if Guanyin is willing to host our…experiment.”

The building, listening with all its walls, shivered in sympathy. The Su Causeway sent up a faint pulse from below: Approved.


The Shrine Out of Time

Xiangyun arrived at Lingyin Temple with her heart hammering like a mis-tuned engine.

Wei had met her at Chef Wu’s the day before, offered her tea and an offhand comment: “There is a place where unrequited love can try on a different shape for an hour. No guarantees. But if anyone deserves such a laboratory, it is a metaphysical engineer.”

He had not told her who else might be involved. He didn’t need to. The mere combination of “unrequited” and “laboratory” had sent her mind straight to Eriko, and stayed there.

Now, barefoot on the cool stones, following a novice down side corridors and around quiet courtyards, she tried to convince herself she was simply curious.

The shrine to Guanyin was smaller than she’d imagined. No towering statues; just a modest alcove with a many-armed figure half-hidden in shadow, face serene and a little amused. Offerings crowded the low table: fruit, flowers, folded petitions, tiny toy boats, single earrings separated from their partners.

A nun with a smile that saw too much greeted her.

“You come as hierodule for a day?” she asked.

Xiangyun swallowed. “If Guanyin will have me.”

“The bodhisattva has room for everyone,” the nun said. “But for this particular rite, she has chosen someone to meet you. A reflection you have been… circling.”

She led Xiangyun to a door. The wood was old; the paper panels glowed with a soft, interior light.

“Within, you are outside ordinary time,” the nun said. “What you do there will still be true, but it will not chain any of you. Serve compassion, not fear, and you’ll emerge lighter.”

Xiangyun nodded, palms slick. The nun slid the door open and stepped aside.

Inside, the little cell was surprisingly warm. Tatami mats. A low altar with another, smaller Guanyin in traveling clothes. And beside it, kneeling in simple white robes, hands folded in her lap—

Eriko.

Her hair was loose, black waterfall over her shoulders. The little black dress had been replaced by temple linen, but the effect was only to sharpen the contrast between the familiar mind and this unfamiliar setting.

For a heartbeat, Xiangyun thought: Ah. A vision. The shrine is teasing me.

Then Eriko smiled, small and shy and very real.

“Hello,” she said. “I hear today we are hired by compassion.”

Xiangyun’s knees nearly gave out.

“You—know?” she managed. “About…everything?”

“I know I’m here because Sammi loves me,” Eriko said. “And because you do too, in your own way. And because Guanyin refuses to take sides when love is trying to grow.”

She laughed softly. “Also because Brother Wei is meddlesome.”

The tension in the cell loosened; Xiangyun could breathe again.

“Are you sure?” she asked. “About being here? With me?”

“I am curious,” Eriko said honestly. “And honored. And nervous.” Her gaze met Xiangyun’s steadily. “And yes. I am sure.”

The door slid shut behind them with a final, gentle click. The air shifted—less like something closing, more like a curtain being drawn around a stage.

Outside, bells rang somewhere in the temple. Inside, time loosened its belt and sat down to watch.


What Happens in the Cell

What happened between them in that small, ornate room was theirs.

Later, Xiangyun would remember it not as a sequence of acts but as a sequence of recognitions: the way Eriko’s laugh felt when it happened right up against her collarbone; the way hands that usually held pens and diagrams learned the weight of shoulders and hips; how an intellectual rhythm—question, answer, counter-example—transformed into a physical one of approach and retreat and deeper approach.

Eriko, for her part, discovered that being the focus of someone’s undivided attention—mind and body—could be less like interrogation and more like worship. That her own shyness could melt into trust when held carefully enough. That desire, when given permission, had its own clear, precise logic.

There were kisses that tasted of engine oil and temple incense; laughter when knees bumped and hair tangled; long, quiet stretches where simply holding each other felt like a theorem finally balanced.

At some point, Guanyin’s little altar lamp burned low and then mysteriously brightened again, as if the bodhisattva had leaned in, smiled, and decided to give them more time.

At another, Xiangyun’s breath hitched and the world narrowed to warmth, light, and the sense of falling upward. Eriko followed—not as echo but as co-discoverer—eyes squeezed shut, hand clutching Xiangyun’s as if anchoring a proof to the page.

The rhythm of them together rose and softened, rose again, finding variations neither had completely predicted but both recognized with a kind of astonished gratitude.

Outside, on the Su Causeway miles away, the stone felt it.

Not as scandal, but as a deep, pulsing wave of release: one vector of unrequited love re-routing itself into something gentler; one careful mathematician learning yet another way to inhabit her own body; one brave engineer finally letting herself claim joy instead of only maintaining engines for others.

The bridge hummed, pleased.


Returning

When Xiangyun finally stepped back out into the corridor, the light beyond the paper panels was not noticeably different. In ordinary time, perhaps an hour had passed. In the cell, there had been enough moments to fill a small lifetime.

She felt…relaxed in ways that had nothing to do with muscles. Not cured of anything—she still loved Eriko; she probably always would—but the ache was no longer sharp. It was more like a familiar, distant mountain: part of the landscape, not a weight on her chest.

Eriko emerged after her, robe straight, hair slightly disastrous, eyes luminous. They stood facing each other, unsure for a second what shape to take now.

“Thank you,” Xiangyun said, the words too small but all she had.

“Thank you,” Eriko echoed. “For seeing me. For sharing…all that…and still being you.”

They leaned in, foreheads touching for a moment in a simple, quiet benediction that felt as holy as anything in the shrine.

Then Eriko smiled—a little shy, a little wicked. “Sammi will want to know everything emotionally and absolutely nothing anatomically,” she said.

Xiangyun laughed. “Give her my love,” she said. “And my eternal gratitude for lending you to mercy for a day.”


Round Story, New Rhythm

Eriko trotted up the stairs to the Round Story apartment with an unusual lightness in her step. The staircase, sensing the difference, creaked in a higher key.

Sammi was waiting by the round window, leg bouncing, a half-written pamphlet abandoned on the table. The moment she heard the door, she whirled.

“Well?” she blurted. “How do you feel? Did Guanyin throw lightning at anyone? Did Wei’s halo fall off? Are you okay?”

Eriko stopped just inside the room, suddenly shy. Then she crossed the space in three quick steps and wrapped Sammi in a hug so encompassing it knocked the questions right out of her.

“I feel…” Eriko searched for a word. “More spacious,” she decided. “Like someone opened a window in a room I didn’t know was stuffy.”

Sammi exhaled, relief flooding her. “And Xiangyun?”

“Still very much Xiangyun,” Eriko said, smiling. “Still an engineer. Less…compressed by longing. She sends love and reports that Guanyin has excellent structural sense.”

Sammi laughed, then sobered, eyes searching Eriko’s face.

“Do you regret it?” she asked quietly.

Eriko shook her head. “No. It was… a holy experiment. One that let parts of me speak that rarely get a microphone. And now,” she added, stepping in even closer, “I want to bring that voice home to you.”

She kissed Sammi then—unhurried, confident, with a new, subtle rhythm humming under it. Not someone else’s pattern, not Xiangyun’s exactly, but something Eriko had learned about herself in that sideways room and was now weaving into their music.

Sammi felt it: the rise and fall, the patient swell, like waves remembering a shoreline. She shivered, not with jealousy but with awe.

“Guanyin did good work,” she murmured against Eriko’s mouth.

“So did you,” Eriko replied. “For trusting me enough to let me go.”

The building vibrated happily under their feet. Down below, the Su Causeway pulsed once, like a satisfied heartbeat.

Sometimes, it thought, you held the line. Sometimes you moved the boundary stone. And every now and then, when love was brave and foolish enough, you let a new world be created in a borrowed cell and then welcomed its echoes home.

Sammi and Eriko disappeared toward the bed, laughter and low voices trailing after them, carrying that new rhythm into familiar space.

The Round Story apartment, the bridge, and perhaps even Guanyin herself listened, and were content.

Friday, November 28, 2025

Sammi & Eriko &(!)Xiangyun - a Nite at the Opera



Sammi always said the Yue Opera House had swallowed a minor palace and several egos and then decided it was still hungry.

Tonight, the north end of the Su Causeway blazed with its appetite. The Opera House reared out over the lake like a lacquered ship that had forgotten how to sail, its tiered balconies dripping lanterns and decorative outrage. Gilded cherubs wrestled with dragons along the cornices; stone muses held scrolls of legislation instead of lyres. From the highest box, the Thearch’s empty seat glowered politely at the stage.

Sammi adored it.

“Look at you,” she breathed, staring at Eriko instead of the building. “My sleek little theorem.”

Eriko was busy trying not to trip on the marble steps.

The lil black dress—Sammi’s prize from a tailor who owed her for pamphlet placement— hugged Eriko’s curves with scandalous precision. The neckline was modest; the fit was not. Each step made her acutely aware of her own existence.

“I am not sleek,” she muttered. “I’m…compressed.”

Sammi’s grin went incandescent. “Compressed elegance. Very efficient.”

Inside, chandeliers the size of minor planets glittered. The foyer churned with silk, brocade, gears and gossip: court ladies with cleverly hidden spyglasses, foreign merchants with translation charms, theater kids in elaborate makeup fetching drinks for divas.

Near the grand entrance, Brother Wei stood beside a marble column, begging alms and witticisms with equal sincerity.

His gear-halo ticked faintly, now almost—but not quite— symmetrical.

“Spare a proverb for the partially enlightened?” he called to passersby. “Accepting spare change, sharp rebukes, and constructive paradoxes.”

Eriko slowed. “Brother Wei.”

“Ah!” Wei brightened. “Patron saint of argumentative staircases.”

Sammi laughed. “No, that’s mostly Eriko.”

Eriko reached into the small embroidered purse that did not go with the dress but did go with her anxieties. She drew out an old coin—worn, dark, heavy with the touch of countless thumbs.

“This should be in a museum,” Wei said quietly, taking it.

“Tonight,” Eriko whispered, “it belongs in your journey. Complete it, brother.”

Something in the weight of the coin clicked against the teeth of his halo. One tiny cog shifted. The sound was almost lost beneath the lobby chatter.

Wei looked at her, eyes suddenly bright and damp. “I will…try,” he said. “Enjoy the opera. Beware the final syllables.”


Old Handle’s Newest Catastrophe

The curtain rose on the first act to reveal a set that looked suspiciously like the Su Causeway rendered by someone who’d only ever heard rumors about it.

“This feels targeted,” Sammi murmured.

“It is a satirical opera about municipal infrastructure,” Eriko pointed out.

Onstage, actors in exaggerated court robes argued over bridge budgets while dancers dressed as stones, beams, and bureaucratic seals whirled behind them. Old Handle’s lyrics skewered everyone with equal glee: corrupt officials; forgetful architects; citizens who complained about taxes but insisted on living above tea houses in flood zones.

Up in the highest tier, Aya of the Yue reigned.

She entered in a burst of crimson silk, her sleeves like the wings of furious birds, her gaze a precision instrument. When she sang, the air tightened. Her voice could slip from traditional Yue ornamentation into something almost modern, then back, without dropping a bead.

At the climax of the act, she delivered a final line about “bridges that bear more than they admit” with such precision that the chandeliers chimed in sympathy.

Somewhere, unnoticed, three wine glasses cracked. A minor courtier burst into tears and had no idea why.

In the lobby during first intermission, Sammi vibrated like a tuning fork, half from Aya’s artistry, half from narrative overload.

“She weaponized the rhyme,” Sammi babbled to a circle of Thearch’s concubines and visitors from Seleucia-on-Tigris. “Did you hear how she slipped the scansion just off enough to imply the bridge was complicit?”

“Oh yes,” sighed a concubine in peacock blue. “We shall be referencing it for months. I may have it embroidered on a scandal.”

“Old Handle has outdone himself,” said a Seleucian scholar, adjusting his spectacles. “Though I suspect he is going to be exiled to a garden again.”

Sammi soaked up gossip like a sponge dropped in tea. She didn’t notice, at first, the ripple that went through the floor, up her spine, into the back of her skull.

It was not sound. It was pattern.

The Su Causeway, whose foundations underpinned the Opera House’s flamboyant footings, had been listening. It did not entirely approve of the building’s pretensions, but it enjoyed Aya’s voice and Old Handle’s commentary. More importantly, it had felt the particular resonance of that last syllable.

Aya had pronounced it in the key of Reckless Confession.

The tone ran along nerves of stone and steel, through the Causeway’s length, out into the city. Sensitive hearts caught it like a virus—with varying symptoms.

Cap’n Jin, miles away at dock, suddenly had the urge to tell his airship that he truly appreciated it. Chef Wu almost admitted the secret of his spice blend to a customer before biting his tongue.

And deep in the Opera House, in a corridor near the boxes, Engineer Xiangyun froze mid-step.


Aya’s Spell, Side Effects

Xiangyun had come in her work clothes, because what else was there? Her idea of dressing up was changing into the less-burned tunic and braiding her hair more symmetrically. She felt as out of place in the velvet corridors as an honest invoice in a court archive.

But the opera…that she understood.

Aya’s voice obeyed the same rules as engines: pressure, release, resonance. Old Handle’s libretti were full of hidden mechanisms. Xiangyun sat in the cheap seats and mapped each motif to a gear, each key change to a pressure valve.

When Aya’s last note hit, it went straight through Xiangyun’s calculations and struck that tender, well-defended place in her chest labeled Eriko.

Suddenly the idea of not saying something felt mechanically unsound.

“My system is under-vented,” she realized, a little dizzy. “This is a safety issue.”

She downed a shot of from a passing tray—plum, rice, bad decisions—and stumbled out during intermission in search of fresh air, or failing that, one specific mathematician in a little black dress.


The Anime Pose

Eriko had fled the crowd the moment the lights went up.

Aya’s final note had left her oddly raw, as if the song had peeled back a layer of abstraction. The dress didn’t help; every glance she caught in mirrored panels made her feel like a misprinted diagram.

She slipped into a side corridor where the traffic was thin, leaning back against the cool marble.

I am foolish, she thought. I look like I am trying to be someone else.

She was still arguing with herself when Xiangyun found her.

“Eriko.”

Her name in Xiangyun’s mouth came out roughened by , soft at the edges, too honest.

Eriko straightened. “Engineer Xiangyun. Are you—”

“Don’t move,” Xiangyun blurted, and for a heartbeat Eriko actually obeyed because the command sounded less like an order and more like a plea to a misaligned gear.

Xiangyun stepped in, close—so close Eriko smelled metal, engine oil, and plum wine. She planted her right palm on the wall just beside Eriko’s head, leaning in for balance.

It was, unmistakably, the classic anime kabedon pose.

Eriko’s brain provided this information helpfully and then vacated the premises.

“Listen,” Xiangyun said, staring not quite at her but at some point just beyond her shoulder, as if reading equations from the air. “I know you’re taken. By Sammi. Obviously. Engines run better in paired systems, I get it. I respect it. But Aya’s stupid note hit my stupid heart and now I have…unvented declarations.”

Eriko’s blush threatened to achieve escape velocity.

“Unvented—”

“Feelings,” Xiangyun said, wincing at her own word choice. “Pataphysical pressure. Trollish crush on your brain. And the rest of you. I am attempting a controlled release before something explodes.”

She slapped her free hand against her chest. The engines back at dock, miles away, coughed in sympathy.

“I am not—” Eriko swallowed. Her thoughts skittered. Aya’s note still hummed under her skin, making everything feel possible, which was not helpful. “I am not good at…receiving declarations.”

“I’ve noticed,” Xiangyun said, a twisted little smile flickering. “You sidestep compliments like falling tiles. But you deserve to know that someone else sees you as…well, as gorgeous mathematics in that dress, frankly.”

The compliment landed like Aya’s note, and Eriko’s knees nearly gave out.

Somewhere beneath them, the Su Causeway felt the way the pressure in the hall was spiking and thought, No, no, this is going to shear a beam.

It reached for its newest trick: psytrance linkage.


Su Causeway to Sammi: Incoming

In the lobby, Sammi was mid-story, explaining to a Seleucian merchant the finer points of protest pamphlet typography, when her feet suddenly buzzed.

It was not an actual vibration. More like the floor whispering, very insistently: HEY. HEY. YOUR PERSON. CORRIDOR C. LEFT TURN PAST THE GOLDEN CHERUB THAT LOOKS LIKE IT REGRETS EVERYTHING.

Sammi’s focus snapped into crystalline clarity. The chatter around her dimmed, colors sharpening.

“Excuse me,” she said politely to the circle of concubines. “My structural integrity is needed elsewhere.”

One of them arched a knowing brow. “Domestic emergency?”

“Romantic engineering problem,” Sammi replied, already moving.

The Causeway guided her like a beat in her own pulse. Down the side hall, past a pair of bickering critics, around a cluster of musicians tuning weirdly sentient instruments, to Corridor C.

She turned the corner and saw:

Eriko, pressed mildly but unmistakably against the marble, eyes wide and dark. Xiangyun leaning in, one arm braced above her, the other fisted at her side, shoulders tense. Two faces close; too close. Aya’s lingering spell glittering between them like stray notes.

Sammi’s heart thudded once, very loud.

Then she moved.


Breaking the Spell (Gently, Mostly)

“Eriko,” she called, letting every ounce of affection she had pour into the name.

Eriko’s head snapped toward her, relief flooding her face like light through paper. The spell wobbled.

Sammi didn’t yank or shout. She slipped between them like a practiced stagehand sliding into a scene change, one hand on Eriko’s waist, the other gently but firmly nudging Xiangyun’s shoulder back.

“Whoa there, engineer,” she said, keeping it light. “Careful with the metaphysical pressure. These walls are load-bearing.”

Xiangyun froze, horror dawning through the haze of .

“I—Sammi—I wasn’t—well, I was, but—oh no.”

She jerked her hand away from the wall as if it had burned her. Then looked at Eriko, at Sammi’s arm around Eriko, and went dead pale beneath the smudges of engine soot.

“I’m so sorry,” she blurted. “That was… Aya’s fault. And mine. And the plum wine. And Old Handle’s structural metaphors. And possibly the moon. But mostly mine.”

Eriko exhaled shakily. “No harm,” she managed. “Just…surprise.”

Sammi felt the tremor in her—nerves, yes, but also that stylishly aroused flush, that unsettled thrill. She tucked Eriko closer, a clear answer.

“Look,” Sammi said, catching Xiangyun’s eye. She softened her voice. “You’re allowed to have feelings. You’re even allowed to say them out loud. You’re not allowed to corner my girlfriend while under magical vocal influence. That’s a safety violation.”

Xiangyun winced. “I’ve violated my own protocols.”

“Next time you get hit with an Aya Note of Reckless Confession,” Sammi went on, “come find me first. I’m structurally designed for overflow melodrama.”

That won a tiny, crooked laugh out of Xiangyun. “You…would let me rant at you?”

“Sure,” Sammi said. “I collect stories. ‘Pataphysical engineer with unrequited crush’ is excellent material.”

Eriko elbowed her gently. Sammi grinned. “I mean that respectfully,” she added. “And I promise to remind you—kindly—that I go home with Eriko.”

Xiangyun scrubbed her hands over her face. “Understood. Absolutely. No more anime poses. The engines will be mortified when they find out.”

“In fairness,” Eriko said, surprising both of them, “it was… structurally impressive.”

They stared at her.

“I mean,” she floundered, “the torque distribution? You didn’t lean on me at all, just the wall. Very considerate load allocation.”

Xiangyun blinked, then laughed—a real laugh this time, giddy with relief and lingering humiliation.

“You are ridiculous,” she said fondly. “And perfect. And I will accept my fate as a supporting character.”

Sammi squeezed Eriko’s hand. “Best supporting engineer,” she amended. “We’ll put it on the playbill.”

From somewhere high above, Aya’s diva instincts pinged: someone is improvising character development without me. She made a mental note to steal this corridor scene for a future opera.


Intermission Epiphanies

They went back to the lobby together, not quite as a trio—the spacing had changed—but with less static in the air.

Brother Wei, still working the concourse, saw them approach and tilted his head, listening to the faint changes in their heartbeats.

“Ah,” he said. “A nearly-misplaced confession, a timely intervention, three hearts learning about boundary conditions.”

Sammi arched a brow. “You get all that from our footsteps?”

“From your halos,” Wei said, touching his own. “Yours are just invisible.”

He reached into his sleeve and produced a small, folded scrap of paper, pressing it into Xiangyun’s oil-stained hand.

“For when the engines are loud and the illusions louder,” he said.

She unfolded it later, backstage, to find a single line:

Unrequited love is still love; it just travels a one-way bridge. Remember to watch the scenery.

On the other side, in tiny writing:

P.S. There are other bridges.

Her throat tightened—but this time the pressure felt almost…bearable.


Aya’s Healing Note

When the bell rang and the audience trickled back in, the Su Causeway shifted its attention again. Aya had another act to sing, and this time it had a favor to ask.

In the wings, Aya felt the bridge’s nudge as a prickle along her spine. Old Handle, scribbling last-minute changes on his score, glanced up.

“Hmm?” he muttered.

“The Causeway wants a different cadence,” Aya said.

“Of course it does,” Handle sighed. “The bridge is a worse critic than you are.”

But he adjusted the line.

Near the end of the second act, Aya stood alone at center stage, the orchestra quiet beneath her. She sang of misaligned towers, of roads that almost met, of hearts that had to learn to run on parallel tracks without collision.

On the final syllable, she chose not Reckless Confession, not Shattering Grief, but a rarer mode: Gracious Reconfiguration.

The note flowed out over the velvet seats, climbed the boxes, seeped through plaster and stone. It washed over Sammi, Eriko, Xiangyun, Brother Wei, even Old Handle in his garret, listening through a cracked window as he revised next week’s satire.

It didn’t erase Xiangyun’s feelings; it didn’t mute Eriko’s fluster or Sammi’s possessiveness. It merely…rearranged their vectors, so they lay alongside each other instead of at dangerous angles.

In the dark, Sammi laced her fingers with Eriko’s. Eriko laced back, less self-conscious now, dress and all.

Xiangyun, in the cheap seats, let herself imagine—just once—that she was the heroine in an opera of impossible love. Then she smiled, shook her head, and started designing in her mind a new valve for Aya’s spell-notes: something to divert excess courage into productive channels, like better engine tuning.

Brother Wei felt his halo shift minutely again. Not a full click this time, but a smoothing of motion. Enlightenment, he reflected, might simply be the art of letting other people’s stories pass through you without derailing your own.


Curtain, For Now

When the opera ended in a blaze of applause and satirical fireworks, the crowd poured out onto the terraces overlooking the lake.

The Su Causeway carried them all: concubines and foreigners, critics and monks, the odd dizzy engineer, one exhausted diva, one over-caffeinated librettist.

Sammi and Eriko slipped away to their favorite vantage point, where the Opera House’s reflection shivered in the water like an over-decorated ghost.

“That was…” Eriko began.

“Too many metaphors per minute?” Sammi suggested.

“Exactly enough,” Eriko admitted. She glanced down at herself, then sideways at Sammi. “Did I…look ridiculous?”

“You looked like the theorem that proves happiness is possible,” Sammi said without hesitation. “Also your butt was amazing.”

Eriko made a strangled noise and hid her face in Sammi’s shoulder.

Across the bridge, Xiangyun leaned on a lamppost, feeling the engines’ murmur through the stone.

She watched them for a moment—Sammi’s easy affection, Eriko’s flustered joy—and let her own chest ache in a way that felt oddly…clean.

“Okay,” she told the Causeway under her breath. “Lesson received.”

The bridge thrummed, pleased.

It had shepherded another small crisis into a slightly better shape. Aya had sung the right note; Sammi had arrived in time; Xiangyun had stepped back without vanishing.

Old Handle, somewhere above them, was already rewriting the whole thing into a scene for his next opera: “The Engineer, the Philosopher, and the Bridge That Knew Too Much.”

The night settled around Song Hangzhou like a silk curtain. Lanterns bobbed. The lake held the city’s reflections gently, even the ridiculous bits.

And the Su Causeway, mercurial and proud, stretched itself under the weight of all these intertwined stories, humming with satisfaction.

Tomorrow, there would be letters to deliver, stew to serve, airships to launch, operas to write. But for now, it was enough that everyone had made it through the intermission with their hearts—if not unshaken—at least more truthfully aligned. 

Sammi & Eriko: Into the hinterlands by airship (briefly, oh too briefly)

 

Cap’n Jin’s airship was never quite entirely docked.

Even when its mooring lines were looped around the iron rings sunk into the Su Causeway, the little craft trembled faintly, as if remembering clouds.

From most angles it looked like a river junk that had somehow grown a dirigible for a soul. A narrow wooden hull hung under a gas envelope stitched from patched silk and lacquered paper, its surface fluttering with inked sutras and fragments of weather reports. Thin brass ribs curved along the belly like a cage someone had half-finished and then forgotten to close.

From the underside of the hull, a cluster of engines protruded: pipes, gears, vents, and the occasional prayer-flag. They exhaled a steady, contented hum that sounded suspiciously like someone snoring.

That someone was Xiangyun.


Xiangyun, Who Sleeps With Engines

Xiangyun was the metaphysical engineer, the other half of the crew and, according to rumor, the one who had convinced the airship to exist in the first place.

She was small, sharp-shouldered, with hair that perpetually smelled of warm metal and rain on stone. Her work clothes were a patchwork of burn holes and ink stains. She slept in a hammock slung between two engine casings; she woke to the tick of gauges and the subsonic murmur of pataphysical equations.

“The engines like to dream,” she explained to anyone who asked. “If I’m not there to listen, they get anxious and the propellers forget which way is forward.”

She said this in the tone of someone discussing perfectly ordinary mechanics, which technically it was—not her fault if reality insisted on being literary.


The Vow of Partial Internet Access

Their usual route ran from Hangzhou out into the mountains, where the major maths, convents, and hermitages of the Song realm had taken a collective vow of partial internet access.

“We will know all things,” the abbots had proclaimed, “but not about each other’s relationships.”

Under this vow, monasteries were allowed:

  • Cloud backups of sutra commentaries

  • Access to mathematical journals and preprint servers

  • Security patches for the temple routers

They were not allowed:

  • Personal correspondence

  • Love letters

  • Cat pictures

The result, as Cap’n Jin often said, was that the monks knew the latest developments in abstruse topology but had no idea their cousins had had children.

“That’s why I fly,” he’d tell anyone who would listen. “Somebody has to bring them handbills, postcards, and angry letters from aunties. The Dharma may be for all beings, but so is gossip.”

He did it at his own expense, too. The monasteries fed him, the hermits brewed questionable herbal tonics in gratitude, but money? Rarely.

“The universe will repay me in scenic views,” he said cheerfully.


Enter Sammi and Eriko

On a bright, breezy morning, while Chef Wu was ladling out breakfast congee to commuters and the Causeway was settling into its daily rhythm, two familiar figures appeared at the airship’s dock.

Sammi arrived first, hair in a scarf the color of riotous sunrise, satchel clanking with notebooks and spare type blocks. She hopped up onto the gangplank as if boarding ships was just walking in a slightly more interesting direction.

Behind her, Eriko climbed more slowly, one hand on the rail, the other clutching a rolled-up sheaf of diagrams. The breeze made geometry of her sleeves.

Cap’n Jin, who had been checking a mooring knot that technically didn’t exist in Euclidean space, straightened.

“Well if it isn’t my favorite balcony-dwellers,” he called. His dark braid snapped in the wind like a flag. “Come to admire my majestic craft?”

“We’ve come to beg passage,” Sammi said. “I’ll admire as a free bonus.”

Eriko nodded, trying to look dignified despite the flush in her cheeks. “I have a number of…theoretical questions about pataphysical lift in small airships.”

“And I,” Sammi added, “have a number of practical questions about mountainous villages and the stories they are hiding from me.”

Cap’n Jin’s eyes sparkled. “A scholar and a storyteller. The engines will be thrilled. Come aboard.”


Xiangyun’s Crush, Inconveniently

As they crossed onto the deck, a hatch banged open and Xiangyun popped up like a startled cat.

“Who is putting non-standard weight on my carefully calibrated planks?” she demanded, wiping oil from her hands with a rag that might once have been white.

Then she saw Eriko.

The engines, which were linked sympathetically to her mood, dropped half a note in their hum. The whole airship seemed to inhale.

“Ah,” Xiangyun said, eloquently.

They had met before, of course—brief conversations at Chef Wu’s counter, snatches of talk about configuration spaces and guilty staircases. Eriko’s mind shone for Xiangyun like a lighthouse; the clear, precise way she spoke about impossible things made Xiangyun want to diagram her sentences and then frame the diagrams.

Now, seeing her on the deck, xiangyun’s heart did something complicated and non-Newtonian.

Eriko smiled politely. “Good morning, Engineer Xiangyun. It’s kind of you to permit us aboard.”

“Not kind,” Xiangyun said, then remembered to tack on, “I mean, it is kind, but it is also scientifically necessary. I’ve needed another observer for my engine notes.”

Sammi, who had the social perception of a gossip column in human form, clocked the way Xiangyun’s gaze hovered around Eriko like a satellite.

She stepped casually closer to Eriko, looping their arms together.

“As long as the scientific necessity includes both of us,” Sammi said, sweet as steamed buns but with a definite underflavor of mine.

Xiangyun’s eyes flicked to their joined arms, then away. Her jaw tightened, just for a heartbeat, before smoothing into a rueful smile.

“Of course,” she said. “The engines already know you come as a set.”

Behind them, the hull gave a faint creak of agreement.


Pre-Flight Metaphysics

Before every departure, Xiangyun performed a pre-flight check that looked, to the untrained eye, like a cross between a maintenance routine and a ritual.

She tapped each gauge three times, listening for the tiny answers. She checked the tension of the propeller chains, the alignment of the brass fins, the angle of the remains of last week’s rainbow still caught in the rigging.

“Is all this strictly necessary?” Sammi asked, watching her trace a pattern of concentric circles on the main engine casing with a stick of red chalk.

“Only if we want to arrive where we mean to,” Xiangyun said. “Airships don’t just move through space. They move through about-ness.”

Eriko’s eyes lit. “Intentional vectors?”

“Exactly.” Xiangyun turned to her, suddenly animated. “If your primary purpose is trade, you get one kind of path—stable, well-marked, full of other merchants. If your primary purpose is pilgrimage, different currents, more unpredictable weather, higher likelihood of birds with opinions. Our purpose—”

“—is delivery of letters and unasked-for enlightenment,” Cap’n Jin cut in. “So we get the scenic routes.”

“The pataphysical structure of a small airship,” Xiangyun continued as if he hadn’t spoken, “relies on being more narratively interesting than the ground. That’s what pulls us up.”

Eriko looked like someone had handed her a new axiom set for the universe.

“So lift is proportional,” she said slowly, “to story density per cubic meter.”

“Among other factors,” Xiangyun agreed. “Weight, temperature, number of unresolved romantic tensions on board—”

Sammi coughed.

Xiangyun winced, then added briskly, “—and the quality of the captain’s hat.”

Cap’n Jin touched his battered cap protectively. “This hat has seventeen successful landings in it.”

“And three very impressive crashes,” Xiangyun pointed out. “Which is why the engines respect it.”

Sammi grinned. Eriko flipped open her notebook and began scribbling equations with suspicious speed.

The Causeway, listening under their feet as ropes were cast off, decided it approved. A small airship leaving from its railings made the whole day feel more expansive.


Into the Mountains

When the propellers spun up, the ship rose with the air of a sigh fulfilled. The Causeway let them go, relishing the tug, then settled back as the hull cleared the last lanterns.

Hangzhou slid away beneath them: steampunk houses leaning over canals, the glint of Chef Wu’s tiger-oven, the long curve of the Su Causeway itself, stripes of shadow and stone.

The lake shone like a polished mirror, reflecting a second ship that flew upside down beneath it, keel kissing clouds. The reflection-ship winked at them and then dissolved into ripples.

Sammi pressed her face to the rail, laughing.

“You see that?” she called.

“Of course,” Xiangyun said. “Our airship has a counterpart in the water’s imagination. Very good luck. Unless you fly low.”

They rose over the city walls, over terraced fields, into the embrace of the mountains.

At each hermitage, Cap’n Jin brought them down with the swaggering grace of a man who trusted both his ship and dumb luck. Monks in practical robes trudged out to meet them, hands ink-stained from digital sutras printed on rice paper. They traded parcels: bundles of scrolls going out, sacks of tea and carefully wrapped jars of pickles coming in.

At one convent, a stern abbess inquired whether Cap’n Jin had, once again, smuggled any “unsuitable magazines” inside the bundles of algebraic geometry.

“Perish the thought,” Jin said, finishing a wink he never quite started.

The abbess opened the bundle and shook out three hand-printed zines with titles like “The Metaphysics of Staircases (Illustrated)”.

Sammi beamed from the deck. The abbess sighed but tucked them under her arm.

At a mathematicians’ retreat carved directly into the rock, Eriko disappeared for nearly an hour into a heated discussion about topologically interesting noodles. Xiangyun hovered at the edge of the group, listening more to Eriko’s questions than the answers.

When Eriko finally emerged, cheeks flushed, she found Xiangyun leaning against the railing, pretending to adjust a valve that didn’t need adjusting.

“How do you keep them from falling off?” Eriko asked, nodding toward the engines. “The equations, I mean. They’re all so… delicate.”

Xiangyun shrugged. “I don’t. I fall with them. I just make sure the ship falls in the same direction.”

“That sounds terrifying,” Eriko said—and then, softly, “and familiar.”

Their eyes met; something unspoken jumped between them, a spark that searched for tinder.

At that precise moment, Sammi appeared, shuffling a stack of hastily scribbled interviews.

“You two ready?” she chirped. “The hermits have run out of tea to offer and have started boiling their socks.”

Xiangyun stepped back. “Ready,” she said, voice only slightly tight.

Eriko reached for Sammi’s hand as they climbed back aboard. It was instinctive, casual, utterly clear.

Xiangyun watched their joined fingers. Then she squared her shoulders, patted the nearest engine casing, and whispered, “All right. We fly on unrequited parameters. We’ve done worse.”

The engine hummed in sympathetic, slightly melancholy agreement.


Picking Up Brother Wei

By late afternoon, mist had gathered in the valleys like thoughts that didn’t want to settle. Their final stop was an old monastery perched on a ridge, its roofs layered like stacked questions.

As they descended, bells rang—a slow, off-kilter pattern, like someone had dropped a standard chime sequence and put it back together wrong.

“That’s Brother Wei’s doing,” Cap’n Jin said. “He’s been here re-calibrating their alert system. Or mis-calibrating. Hard to say.”

They touched down on a flagged terrace. A small group of monks approached, led by Brother Wei himself, gear-halo gently spinning above his shaved head.

The halo was a delicate mechanism of interlocking brass cogs, suspended just beyond his skin. Today it ticked with a faint, uneven rhythm, as if one tooth somewhere was not quite catching.

“Ah, my accidental taxi,” Brother Wei greeted them. “I am in need of transportation.”

“To where?” Jin asked.

Wei smiled faintly. “To wherever the Su Causeway is.”

“That,” Jin said, “we can do.”

As the monks loaded a single modest bag onto the ship, Eriko studied Wei’s halo with the fascination of one engineer looking at another’s half-finished project.

“I thought you were undergoing retreat,” she said. “To correct your… percentages.”

“Indeed,” Wei sighed, climbing aboard. “It turns out you cannot integrate enlightenment by parts. The error term remains.”

“Can I write that down?” Sammi whispered, already doing so.

Wei sank onto a coil of rope, the halo whirring as if settling into a favorite groove. “They say the Causeway has acquired…opinions,” he said. “And that it remembers the old days when mountains were more metaphorical. I thought perhaps a change of supporting infrastructure might shake something loose.” He glanced up. “At the very least, I can get decent stew from Wu again.”

Xiangyun, who had a soft spot for all beings who lived partially embedded in machinery, patted his shoulder.

“The Su Causeway specializes in emotional load-bearing,” she said. “It’s a good place to rest your gears.”

The airship turned toward home.


Return to the Bridge with Opinions

By the time they reached Hangzhou, the sun was sliding behind the western hills, turning the lake into molten copper.

The Su Causeway rose ahead, stone spine glowing. From this height, it looked like a single, thoughtful brushstroke drawn across the water.

As the airship descended toward its moorings, the bridge felt the familiar tug of their approach. The stress currents in its stones adjusted. It tasted the incoming load: engines still buzzing with distant mountains, letters in satchels, one half-baked enlightenment with mechanical garnish.

Ah, thought the Causeway. The monk with the lopsided halo.

It remembered Brother Wei’s earlier visits—his meditative pacing, the way his thoughts had thrummed against its surface like a drum slightly out of tune. The Great Shaking had rearranged many things; perhaps it could shuffle his insights as well.

The ship bumped gently against the mooring posts. Ropes flew; hands caught.

Brother Wei stepped down onto the stone and stopped.

His halo ticked louder, sudden.

Beneath his feet, the Causeway experimented with a very small tremor—nothing anyone else would register, just the architectural equivalent of a throat-clearing. A ripple rolled along the stones, up through the soles of his sandals, into his spine.

“Mm,” he said.

The halo spun, hesitated, then clicked forward one notch it had never reached before.

Gear teeth met where they had always failed to meet. A tiny curl of displaced ignorance evaporated with a soft pop, like a soap bubble being punctured by a well-aimed koan.

Sammi, stepping down behind him, saw the gear ring adjust.

“Did your hat just fix itself?” she blurted.

“Enlightenment is not a hat,” Wei said automatically. Then he lifted a hand, touched the halo, and frowned in wonder. “But…something shifted.”

The Causeway, emboldened, tried another trick. It remembered the keen little quake from the day of the Thearch’s crossing and reproduced a gentler version: a barely audible thrum corresponding to the resonance of two people finally finding each other.

This time, the vibration carried not only through Brother Wei’s bones but through the brass of his halo. Several smaller cogs wobbled, then settled into new alignments.

Visually, the change was subtle; structurally, it was a minor revolution.

Brother Wei blinked.

For a moment, every sound on the Causeway—the merchants shouting, the distant hiss of steam, the plop of oars—fell into a pattern he could almost see. A web of interactions: stew leading to conversation, conversation to courage, courage to small earthquakes, earthquakes to slightly improved governance.

“Oh,” he said softly. “I see. Not all the way. But further.”

“How much further?” Eriko asked, eyes sharp with curiosity and concern.

Brother Wei considered, listening to the tiny ticks above his head.

“I would say,” he replied, “I am now approximately three-quarters enlightened, with a margin of error of… five percent.”

“That’s a notable improvement,” Xiangyun said.

“Is the remainder important?” Sammi asked.

“Very,” Wei said. “It is the part that keeps me from being insufferable.”

The Causeway preened a little, in a granite kind of way.


After Landing: Adjustments

Chef Wu, hearing the ship had returned, sent over a tray of stew and tea as a landing tax. The four of them—Sammi, Eriko, Xiangyun, Brother Wei—gathered near the moorings to eat, bowls cupped in hands gone cold from altitude.

“So,” Sammi said between spoonfuls, “how does it feel, Brother Wei? Any new revelations about the nature of reality? Subtle insights? Sudden desire to reorganize all the temple shoe racks?”

Wei flexed his toes thoughtfully. “Reality still appears annoyingly persistent,” he said. “But it feels… kinder. The errors seem less like failures and more like… annotations.”

Eriko’s gaze drifted along the length of the Causeway, up to their own crooked building with its round window-eye, now glowing softly in the dusk.

“The Su Causeway is good with annotations,” she said.

“It is,” Wei agreed. He turned his head, halo spinning with deliberate slowness. “And you two? Any shifts in your own…percentage?”

Sammi’s grin turned mischievous. “Oh, we are fully, gloriously, statistically-inappropriately in love.”

Eriko elbowed her, but didn’t deny it.

Xiangyun, watching, felt the familiar pinch in her chest. It hurt in that clean way that said: this feeling is real, even if it never lands where you wish. She took a deep breath, letting engine-smoke and stew-steam fill her lungs.

The engines, sensing her mood, shifted into a low, reassuring purr.

“You know,” she said slowly, “unrequited isn’t the same as unproductive. Pataphysically, I mean. An asymmetrical vector still moves the ship. Sometimes more efficiently.”

Eriko turned to her, expression serious. “You deserve symmetry too, though,” she said.

Xiangyun met her eyes, then laughed softly. “One miracle at a time. Today I got to show you how lift works. That’s already better than last week.”

Cap’n Jin, who had been quietly eavesdropping from the edge of the group, raised his tea cup toward the bridge.

“To small ships, overloaded stories, and load-bearing friendships,” he toasted.

The Causeway accepted the dedication, feeling the pressure of their feet as both literal and metaphorical. It carried their weight, their bowls, their half-fixed enlightenments, and their hearts with equal competence.


Coda: The Bridge’s New Project

That night, long after the last tram had rattled to its depot, the Su Causeway lay awake.

It replayed the day’s vibrations: the airship’s departure, the letters exchanged in mountain winds, Brother Wei’s halo click, Xiangyun’s quiet courage, Sammi and Eriko’s laughter spilling onto its stones.

Once, it had existed only to connect shore to shore, garden to garden, palace to poets. Now it found itself doing…more.

I am not merely a road, it realized, somewhat startled. I am also a…correction mechanism.

Not for morality or law—those flowed over it like rain. No, its gift seemed to be subtler: nudging souls and structures a few millimeters closer to where they fit, whether that was a rebellious apartment building, a slightly crooked monk, or a tiny airship that refused to obey normal physics.

Very well, the Causeway decided. If the mountains have their hermitages and the palaces their courts, I shall be the place where things align by accident.

Far above, Jin’s airship swayed gently at its moorings, half in this world, half in footnotes. Xiangyun slept with her hand on a warm engine pipe. Brother Wei dreamed of staircases that led simultaneously up, down, and inward. Sammi and Eriko, in their round-window apartment, lay tangled and content, the building humming approval under their bed.

The Su Causeway held them all, stone and story intertwined, quietly pleased with its new hobby.

Tomorrow, it thought, it would see what else needed a small, strategic shake.

Thursday, November 27, 2025

Sammi & Eriko experience Old Wu becoming a Chef de Cuisine, all on the Su Causeway!

 

By dawn on opening day, the Su Causeway had decided that Old Wu’s mid-life crisis was charming.

The new diner clung to its railing like a limpet, all brass struts and bolted beams, hovering half over water and half over the slow stream of pedestrians. A short flight of steps diverged from the main flow of traffic, leading out onto a little platform no wider than a respectable tablecloth.

Overhead, a sign of hammered copper proclaimed in bold characters:

蘇堤吳師傅
CHEF WU OF SU’S

Below that, in smaller script, someone (Sammi) had painted: “Tea, Stew, & Philosophical Snacks.”

The Causeway had generously allowed Old Wu to drill four anchor points into its stone ribs, so the platform hung like a balcony from a palace. Thick braces dove down at playful angles, connecting to pipes that hissed gentle-white steam. The whole thing looked wildly precarious; the internal math—double-checked by Eriko three times, plus one nervous dream—said it was as stable as a proverb.

The centerpiece of the diner was the steampunky grille-oven.

It sat at the back of the platform, taller than Wu himself: an iron contraption with a belly like a temple cauldron, fronted by a door shaped like a grinning tiger. Brass chimneys sprouted from its top, curling into stylized clouds; a ring of gauges trembled faintly as if excited. Inside, glowing charcoal met a network of narrow pipes. When Wu stomped a pedal, a bellows hidden in the floor woke up and sent a gust of hot air singing through the system. Flames brightened; a soft, satisfied chuff came from somewhere, like a dragon clearing its throat.

Next to it, a polished steel counter gleamed. Three stools were bolted directly into the platform, just in case the Causeway got ticklish.

At first light, Old Wu brewed tea for the Causeway itself, pouring a libation directly onto the stone before the day’s crowds arrived.

“You’ve held my shop this long,” he said, bowing to the bridge. “Today you hold my restaurant too.”

Under his feet, the old stones gave a pleased, solid hum.


Opening Ceremony, Unofficial

By mid-morning, a small line had formed: regulars from Wu’s old tea shop, curious passersby, a monk who claimed to be here only for “research into gustatory karma.”

And, right on time, Sammi and Eriko.

Sammi arrived first, of course, practically vibrating, a hand-printed flyer still in her fist. The flyer showed an impossibly heroic portrait of Wu ladling stew, under the dramatic title:

“THE GREAT WESTERN MYSTERY STEW (NOT YET BANNED BY ANY MINISTRY)”

Eriko followed at a more measured pace, notebook tucked under her arm, her hair already collecting the ambient steam like an abstract halo.

“I see we’re taking our responsibilities seriously,” she said, nodding at Sammi’s ink-smudged fingers.

“This is public service journalism,” Sammi declared. “The people must know about noodles. Or… whatever shape this stew uses.”

Old Wu spotted them and brightened. His beard had acquired a few more grey threads since the Great Shaking, but his eyes were younger than ever.

“Ah! My structural engineer and my publicist,” he boomed. “Come, sit, sit! I have reserved the best stools for you.”

There were only three stools. It was, objectively, a very high honor.

Eriko sat with the careful grace of someone who had personally checked the load-bearing calculations. Sammi hopped up without looking, entirely confident the universe would catch her. The platform swayed just a whisper, then steadied.

Beneath them, the lake lapped at the Causeway’s stones, curious.


A Dish From “Far Far West”

“So,” Sammi said, planting her elbows on the counter. “Tell us about this legendary stew from the ‘far far west.’ Is that a distance, a direction, or an exaggeration?”

Wu’s face went solemn, as if she’d asked about an ancestral shrine.

“Farther than the caravans go,” he said. “Beyond the maps in the customs office, beyond where the paper dragons even bother to patrol. A place the old chroniclers never recorded because every time they tried, the ink refused to dry.”

Eriko’s pen twitched in her hand. “Ink refusal?”

“So they say.” Wu shrugged. “Words slid off the page. The records curled up and rolled away. Bureaucrats had nightmares of recipe pages escaping their ledgers. Eventually they stamped it ‘Not Our Jurisdiction’ and stopped asking questions.”

“Wise of them,” Sammi murmured. “But we will absolutely ask more questions.”

Wu chuckled. “Of course you will.”

He turned to the grille-oven, stomped the bellows pedal. The tiger-door laughed in iron. A smoky, fragrant heat spilled out—not just of herbs and meat, but something harder to name, like distance and fog.

From one of the rear pipes, a copper hook descended, bearing a suspended pot: blackened clay with bands of brass, etched all over with tiny unfamiliar runes. The liquid inside burbled thickly, its surface a slow whirl of browns and reds, speared by glimmers of gold.

Eriko leaned forward. The steam rose past her face, and for a second her eyes unfocused.

“Did you see something?” Sammi whispered.

“Yes,” Eriko said slowly. “No. Possibly. There was… a street I don’t know. Buildings with flat roofs. Lanterns shaped like cages. People eating out of… bowls with handles.” She blinked. “Now it’s gone.”

“The stew shows where it’s from to those who might someday go there,” Wu said simply, ladling with reverence. “But only in brief courtesy. Never enough for the chroniclers.”

He filled two bowls—deep, sturdy pottery, painted with little stylized dragons that might have been borrowed from the oven’s personality.

The stew did not look shy.

Thick, glossy broth clung to chunks of meat and root vegetables. Red flecks floated like tiny banners; a swirl of cream traced a spiral on top, dissolving as they watched. The smell was an orchestral thing: roasted peppers, slow-cooked marrow, a sweet smokiness that reminded Sammi of airship docks and festival bonfires.

She inhaled, eyes going wide. “I love it already.”

Eriko’s brows knit. “The aroma profile is… unusual.”

“Is that a good unusual?” Wu asked, amused.

“It’s an… as-yet-unmodeled unusual,” Eriko said. “Which is very promising.”


Sammi’s Review: First Bite

“Don’t think too hard,” Sammi advised, grabbing a spoon. “That’s my job. As a professional over-thinker, I hereby bite first.”

She scooped up a generous spoonful—meat, potato, a glossy ribbon of pepper—and blew on it theatrically.

The first taste was heat.

Not the sharp stab of chili alone, but a layered warmth that rolled across her tongue, building, settling, then blooming again at the back of her throat. The meat (beef? something cousin to it) was so tender it put all her metaphors in jeopardy: it didn’t melt exactly, but it agreed to stop being solid.

The vegetables were soft without surrendering, each one carrying its own note—earthy root, sweet carrot, something green and slightly bitter that cut through the richness like a witty comment.

Out past all that, the smoke. Not campfire, not incense; the ghost of wood burned under a sky she didn’t recognize. For a moment—just a moment—she saw herself behind unfamiliar glass, watching rain hit a different kind of street.

She swallowed. The vision folded, like a letter refolded along its creases and tucked away.

“Sammi?” Eriko asked, alert.

Sammi put the spoon carefully down. “Okay,” she said hoarsely. “I have several opinions.”

“Good?” Wu asked, slightly anxious.

“Chef Wu,” Sammi said solemnly, “this tastes like you bribed distance to come sit in my mouth and tell travel stories.”

Wu beamed. “Ah! The correct reaction.”

She grabbed her pen and the margin of the paper placemat, already scrawling: ‘Wu’s Western Stew: like a love letter from a city that hasn’t been built yet.’


Eriko’s Study: Second Bite

Eriko lifted her own spoon more cautiously. She studied it the way she would a new equation: component parts, probable interactions, the line where reality might bend.

She tasted.

The heat hit her more slowly; she felt it as expansion rather than explosion, like the first breath after leaving a crowded room. Underneath it, she found structure.

“Mmm,” she said, surprised into an unselfconscious sound. “There’s… cumin? And something seedlike. Coriander?”

“You have a good tongue,” Wu said. “Yes. Plus a dried fruit from the west—looks like a little red crescent. I don’t know its name; the trader just called it ‘the thing that makes the pot remember.’”

Eriko chased one of the crescents with her spoon, caught it, chewed.

There it was again, that odd lurch in perception. Not a vision this time, but a sense of… dislocation. The feeling of sitting in a place and knowing that, according to the map in your head, you should be somewhere else entirely.

Her mind immediately began building diagrams.

“If you charted these flavors on a compass of the known world,” she murmured, half to herself, “they would not align with any of the usual axes. North–south, east–west; they’re all wrong. This stew suggests another coordinate system.”

Sammi paused mid-bite. “A stew with its own geometry?”

Eriko nodded, eyes brightening. “Exactly. A taste-space that doesn’t care about our borders. Perhaps that’s why the chroniclers couldn’t fix it on the page. Their ink is calibrated for our map.”

“I feel a pamphlet coming on,” Sammi muttered happily.

“Several,” Eriko said. “And a paper. Possibly a small argument with the Ministry of Distances.”

The monk at the next stool leaned in. “Excuse me,” he said politely, “but if this stew implies the existence of unrecorded lands, does eating it create karmic obligations toward those lands?”

Eriko’s expression lit up like a lantern. “What an excellent question.”

Sammi took another huge spoonful and said through a mouthful, “We’ll definitely have to visit, so yes?”


The Diner and the Bridge Approve

As bowls were refilled—Wu refused to let them stop at one—the little diner came fully alive.

The grille-oven chuffed and glowed, happy to be central. The copper chimneys vented aromatic steam that made passersby stop mid-stride, blink, and suddenly change direction toward the stools.

Old tea-shop regulars tasted cautiously, then with widening eyes. “Why does this remind me of my first trip away from home?” one wondered aloud.

“Because your sense of adventure is simmered in beef stock,” Sammi offered.

The Causeway listened, deeply pleased. It enjoyed being a route, a passage. But to host a restaurant that served geography inside a bowl—that delighted it on some stony, conceptual level.

So, it thought, letting the weight of the diner sit comfortably on its rail. We now have a place here that remembers where even I have not been. Good. The world should not end at my edges.

Below, the lake sampled some stray droplets that had splashed over the side. It tasted of places beyond its basin, beyond its gravity.

Interesting, it murmured, a ring of little ripples marking its approval. I may have to expand my collection of reflections.


Legacy Tea & Future Stew

Between stew rounds, Wu still moved with the old tea-master’s precision.

For legacy customers—those who had known his cramped, earnest shop under the arch—he brewed their favorite leaves in side-handled pots and served them with the same quiet ceremony as always.

But now, next to the clay teapots, there were tall pewter mugs for stew. Some regulars ordered both, lining them up like past and future in liquid form.

“Tea for the memories,” one old man sighed. “Stew for the regrets I haven’t had yet.”

Sammi’s pen nearly broke from the speed of her scribbling.

Eriko, meanwhile, had filled an entire page with curves and arrows, mapping “taste-vectors” radiating outward from Hangzhou.

“So if ordinary soy-and-ginger broth sits here,” she said, tapping a central point, “Wu’s stew sits… here.” She pointed to a spot far outside her carefully ruled grid, then circled it. “Somewhere the Song chroniclers never imagined, but that nevertheless touches us through the tongue.”

“And through the causeway,” Wu added. “A merchant from the west brought me a pot once and cooked me this dish on that very stone”—he thumped the railing affectionately—“before marching off with his caravan. I never learned the town’s name. But afterwards the bridge felt… longer.”

The Causeway gave a dignified little shiver of agreement.


A Toast to the Unwritten Map

By the time the sun began to slide down toward the hills, “Chef Wu of Su’s” was officially a success. The three stools had rotated half the district through; the stew pot was nearing its bottom, thick with the last, most intense flavors.

Wu ladled one final small serving for each of them: Sammi, Eriko, and the monk who had asked about karmic geography.

He topped off their cups of tea as well. The steam from both bowls and cups rose together, twining in the golden light like two intertwined diagrams.

“To the Great Shaking,” Wu said, raising his bowl, “without which I would still be merely Old Wu, pouring tea on solid ground.”

“To Chef Wu of Su’s,” Sammi said. “May your platform remain dramatically unsafe-looking and actually very safe forever.”

“To the parts of the world we haven’t drawn yet,” Eriko added, eyes on her map. “And to the dishes that get here before the cartographers.”

They clinked their ceramic bowls gently. Somewhere in the depths of the grille-oven, the tiger-door rattled in approval.

Far out on the water, a faint echo of drums drifted from the palace quarter—the tail end of some minor ceremony. The Thearch, no doubt, was dining on twenty-four properly documented dishes, every one recorded in the archives.

Up here on the railing of the Su Causeway, three bowls of undocumented stew warmed three sets of hands, and a new footnote in the city’s story quietly wrote itself:

On this date, Chef Wu of Su’s began serving a certain Western stew which no chronicler successfully described, but which changed the bridge’s idea of where it ended.

Sammi licked her spoon, blissful. “We definitely have to write about this.”

Eriko nodded, eyes shining. “Yes. And then fail to fully describe it in accordance with tradition.”

The Causeway thrummed, somewhere between a chuckle and a purr.

The lake, for once, caught no lies in their words—only anticipation.

And in the midst of steam, spices, and the sound of distant wheels on stone, “Chef Wu of Su’s” took its first firm root on the side of the world, serving tea to the past and stew to the future, perfectly balanced above the water—just where Sammi and Eriko liked to live.

Wednesday, November 26, 2025

Sammi gebringeth our dear, reserved Eriko to yshake ye Thearch's Palanquin :P

 They spend three whole days looking for a time, and keep finding everything else instead.

Not metaphorical time—though that would be perfectly on brand—but a very specific, usable, lie-down-and-lock-the-door slot in the day when Sammi and Eriko could finally, properly, unequivocally be with each other.

A time without clients, without malfunctioning staircases, without monks dropping off warning cranes or the lake demanding gossip. A time when the building isn’t listening too loudly and the Su Causeway isn’t rattling on about traffic patterns in their ear.

“That one?” Sammi asks on the first evening, pointing to an hour hanging in the tailor’s window.

It’s a neat, folded little thing of dim golden light, sewn to a silk ribbon labeled: “One (1) Quiet Hour, Ideal for Studying or Crying Politely.”

Eriko eyes it critically. “Too fragile,” she says. “If the stove coughs, it’ll rip.”

“How about that?” Sammi nods toward the pawn broker’s memory rack, where a heavier hour swings like a pocket watch, its glass face clouded. “Untaken Opportunity: Lightly Used.”

“That’s cursed,” Eriko says instantly, because she has seen enough equations to recognize bad risk.

By the third day, they are both tired and a little ridiculous.

Sammi’s press has been productive but surly. Eriko’s notebooks are full of beautiful, useless diagrams titled things like Optimal Conditions for Kissing and Proposed Synchronization of Two Humans & One Hot Kettle.

They keep almost finding their time—on stair landings, in side streets, under low clouds—but then something intrudes. A cat knocks over a jar of ink. A client “just happens to be nearby.” A bell rings, and the noon crack opens under their feet and dumps them ten minutes ahead of themselves, breathless and laughing, but still not quite where they meant to be.

“Maybe the city’s mad at us,” Sammi says, sprawled on the floor one afternoon, panting from the latest inadvertent time-hop. The sunlight is at a slant that makes Eriko’s hair look like ink about to spill.

“Why would it be mad?” Eriko asks, though she’s frowning thoughtfully toward the floorboards.

“We convinced our building to talk back to inspectors,” Sammi says. “We’re a bad influence. Perhaps it thinks we’ll incite the furniture to unionize next.”

Eriko’s mouth twitches; her eyes stay serious.

“We do live on the Su Causeway,” she says. “It’s not just a stretch of stone. It’s a history project with opinions.”


The Causeway Gets Nosy

If you stand very still on the bridge at night, you can feel the Su Causeway thinking.

It thinks in slow, heavy pulses: the pressure of centuries, the weight of love letters engraved in its stones, the damp ache of old floods. It remembers poets and generals, market stalls and quiet moonlit walks. It remembers the person it was built for, the long-dead Thearch whose court and gardens once curled along the lake like calligraphy.

The Causeway is not jealous exactly—but it has standards.

So when it catches the reverberations of Sammi and Eriko’s quietly tangled longing (and you’d be surprised how far longing carries in stone), it decides to investigate.

The first sign is subtle. Every time they lean toward each other in the apartment—Sammi’s fingers brushing Eriko’s wrist, Eriko’s eyes going soft and complicated—the whole building gives a tiny, embarrassed cough. The floorboards creak loudly elsewhere, as if to say, Nothing to see here! Structural adjustment only!

“I think the house is chaperoning us,” Sammi whispers after the third interruption, half amused and half exasperated.

“You’re imagining things,” Eriko says, but the tip of her ear has gone pink.

Down below, the Causeway shifts its weight, listening carefully through the foundations. The building, being young as structures go and very fond of its tenants, sends back a nervous jumble of impressions: laughter, ink, steam; the press’s heart-beat thrum; the shy electrostatic crackle of two people not-quite-touching.

The Causeway considers this. It remembers courtly romances conducted in view of everyone and consummated mostly in glances. It remembers the Thearch’s favorite concubine slipping barefoot along it at night to meet a scholar. It remembers being the setting, never the accomplice.

It decides to test these two modern creatures.

That evening, when Sammi and Eriko finally give up on buying time and simply declare an hour—closing the shutters, stacking books against the door, conspiratorially quiet—the Causeway calls in favors.

A tram derails its schedule by exactly eight minutes and squeals to a stop right under their window. Steam erupts, horn blaring like an outraged goose. Passengers spill out; someone starts arguing with someone else about ticket prices; three vendors arrive from nowhere smelling of fried dough and opportunity.

The building trembles. The window-eye swivels downward, irresistibly curious.

“Of course,” Eriko sighs, pulling away from Sammi as the noise swells. “Naturally.”

The next day, they try again in late afternoon, when the light turns almost amber and the cats become philosophical. They make it as far as the bed; Sammi’s hands are warm where they bracket Eriko’s hips; Eriko’s pulse is racing with that beautiful mix of anticipation and terror.

And then there is a clatter on the stairs like thirty sparrows falling down a well.

Brother Wei bursts in without knocking, halo spinning, panting something about a minor temporal implosion near the tea district. Could they possibly—?

“Later,” Sammi says through gritted teeth, shepherding him out and politely closing the door on his apologies.

The Causeway feels this slam all the way down its spine.

It huffs, a long exhalation that makes tiny pebbles skitter.

So they’re serious, it thinks, in its stone-slow way. They keep coming back to the same intention. They close doors in the face of monks. They deserve…something.

The Causeway considers itself a traditionalist. For most of its life, love has meant arranged alliances, glances over fans, tightly laced gowns. But the reality living in its ribs now is full of brass and machinery and women who print their own pamphlets.

And these two—one all spark and grin, the other a precise line of ink—are very clearly in love.

It decides to interfere one more time, just to be sure. Then, if they persist, it will help.


A Morning of Almosts

“Maybe we should schedule this like an important client,” Eriko says the next morning, in the tone she uses for complicated proofs. “A formal appointment. With agenda.”

Sammi laughs, all sparkles. “Minutes: 1) Kissing. 2) See where it goes. 3) Adjourn.”

“That is a very short agenda.”

“I’m hoping item two takes a long time.”

The Causeway hears this through the soles of their feet as they cross it—Sammi bouncing along, Eriko more measured but with a faint skip in her step that betrays her.

It makes the bridge deck just uneven enough that Sammi stumbles, colliding into Eriko, arms flailing. Instead of falling, she wraps herself around Eriko’s shoulders with an “oof,” chest pressed to back.

“Oh,” Eriko says faintly.

The stone registers the sudden, sharp spike of shared heat.

This, the Causeway notes, is not the clumsy flail of strangers. This is how people fall who already trust where they’re going to land.

It decides. Enough tests. These two are not dabblers but devoted nuisances, the sort it secretly likes. It will give them what assistance it can.

And as luck—and very deliberate timing—would have it, an opportunity is already rumbling its way along the lake road: the imperial palanquin of the Song Thearch himself, flanked by the full apparatus of spectacle.


The Thearch Takes the Bridge

The announcement comes at midday in the form of eleven gongs and a public crier whose voice has been slightly enchanted for distance.

“By edict of Heaven and the Ministry of Processions,” the voice booms from one end of the causeway to the other, “the August Thearch will traverse the Su Causeway at sunset today to inspect the prosperity of Hangzhou and the composure of its citizens. All households are advised to show respect and not to fall into the lake from excitement.”

The street erupts. Children start practicing synchronized bowing. Shopkeepers drag out their cleanest awnings. Someone tries to sell commemorative buns shaped like the Thearch’s face and is gently but firmly discouraged by uniformed officials.

In their top-floor apartment, Sammi and Eriko stare at each other over piles of paper.

“We’ll never get any work done,” Sammi says, delighted.

“We were not planning to,” Eriko reminds her, then blushes as the building gives an interested creak.

The round window-eye swivels back and forth between them and the commotion outside. Its brass rim twitches like an eyelid.

“Listen,” Sammi says quickly, leaning against the sill. “Big spectacle. Very distracting. Ideal time for, you know—” She flaps a hand in a universal sign for Things One Does Not Discuss In Front of Windows.

The building makes a doubtful sound, like a bookshelf loaded with one more book than strictly appropriate.

Down in its foundations, the Causeway sends up a reassuring pulse.

I’ll keep the attention, it tells the building. You look away.

Look away? the building replies, scandalized.

You can stare at the Thearch like everyone else, the Causeway says patiently. Let them have their moment. Even palaces close doors.

The building hesitates. It does like the Thearch’s processions—so regular, so beautifully balanced. And there is something in the way its tenants’ hearts hammer that climbs its beams like music.

“Very well,” it groans at last, in a dusty whisper that rustles the curtains. “Forty-five minutes. No loud remodeling. And do not break any joists.”

Sammi has no idea of the negotiations that have just taken place on her behalf. She only knows that, for once, the stairwell falls quiet, the halting creaks smoothing into a satisfied hum.

“Sunset, then?” she says, turning back to Eriko with bright eyes.

Eriko’s hand closes around the handle of her mug, knuckles pale. She swallows, visibly.

“Sunset,” she agrees.


The City Looks Elsewhere

As the golden hour deepens, the Su Causeway straightens its shoulders.

It flexes minutely, adjusting stone and mortar to a dignified arch. It tightens railings, smooths potholes, settles its weight into the lakebed so securely that no one—not even the most anxious official—will worry about its stability. It has hosted the feet of emperors before. It will do so again. But this time, it has a double purpose.

All along the bridge, people cluster in dense, excited layers. Flags snap. Vendors sell skewers of something fragrant and unidentifiable. The tram lines shut down; the airships adjust course to drift overhead in aesthetically pleasing configurations.

Near the western end, an enormous clockwork dragon is warming up, gears clicking as its silk scales ripple. The Thearch loves dragons. The Causeway has learned to accommodate these preferences.

When the first drums begin—low, rolling, like someone knocking on the sky—the very stones thrill.

The palanquin appears at last in a shimmer of banners: lacquered wood, gold inlays, carved panels depicting the Four Seas in improbable weather. Eight bearers in perfectly synchronized steps. A fringe of bells that tinkle with each sway.

The crowd roars. Hats fly up. Children are hoisted onto shoulders. Even the magistrate’s cats sit up very straight, whiskers quivering.

Every eye turns.

Every window leans outward.

Every building along the Su Causeway shifts its attention, peering down with a rustle of tiles and a squeak of shutters.

Every building—except one.

High above the water, our round window-eye obediently swivels away from the scene, facing the hills and the first pricks of evening star instead. Its glass fogs slightly from its own flustered breath.

Inside, the light of the procession paints stray glimmers on the ceiling, but the room itself is oddly, beautifully calm.

For the first time in days, the world is not trying to climb into their space. All its noise flows past like a river diverted by skillful engineering.

Sammi locks the door.


The Glass of Wine

Eriko is standing by the little stove, back very straight, as if about to sit an exam.

On the table between them is a small ceramic bottle with a faded label: “Huizhou Chian: For Celebrations, Apologies, and Moments of Reckless Clarity.”

They’d bought it months ago and never quite opened it, waiting for the right night. Apparently that night has chosen itself.

Sammi uncorks it. The scent that blooms out is rich and dark, full of plums and something like smoke. She pours carefully into two chipped cups, hands one to Eriko, keeps one for herself.

“To… not being interrupted,” Sammi says, raising her cup.

Eriko’s mouth curves. “To… trusting the architecture,” she counters.

They drink. The wine is strong, with a tiny metallic tang, as if someone has stirred in a teaspoon of starlight.

Outside, the drums intensify. The palanquin has reached the middle of the bridge. Fireworks in careful, dignified colors burst above the rooftops. The crowd roars approval.

Inside, the sound comes muffled, as if the room were wrapped in cotton.

Sammi sets her cup down. Her hands are steady now, the earlier fidget burned away by purpose.

“Eriko,” she says softly.

Eriko looks up, and what’s in her eyes is more terrifying and wonderful than any official parade: a mind that has counted the risks and is choosing this anyway.

“I know,” Eriko says. “Come here.”


Consent, in Stereo

Later, Sammi will remember it less as a series of movements and more as a cascade of yeses.

Not one big yes, stamped like a seal, but dozens of them, each quietly affirmed.

“Is this okay?” she asks, when she steps in close enough that their breaths tangle.

“Yes,” Eriko says, almost inaudible, the word leaving a warm smudge on Sammi’s cheek.

“Here?” Sammi murmurs, fingertips grazing the curve of Eriko’s waist.

“Yes.” A shiver, not of fear.

“Tell me if you want to stop,” Sammi says into the hollow below Eriko’s ear.

“I will,” Eriko replies, and then adds, with a fierce little exhale, “I won’t.”

The Causeway, listening through foundations and up the spine of the building, feels this chorus of consent like a tuning fork struck true. It relaxes deeper into itself, ribs expanding. The lake, for once, holds perfectly still, reflecting the sky in unbroken bands.

In the street, people are cheering the dragon. Up here, two women are re-writing the local laws of gravity.


Genki Sammi, Thoughtful Eriko

Sammi has always moved through the world like a spark searching for dry tinder. She grins, she trips, she persuades printing presses and staircases to cooperate through sheer enthusiasm. She is bold when arguing politics, bold when jumping through noon.

With Eriko, she is bold and careful at once.

She kisses her like a question and a promise together, pouring all that genki energy into the touch while constantly, almost unconsciously, listening for resistance.

None comes.

Eriko, for all her reserve, responds like someone who has been thinking about this in long, careful equations and finally found the one variable she was missing. Her hands, initially tentative, map Sammi’s shoulders, her back, the line of her ribs. She pulls Sammi closer with a decisive little tug that surprises them both.

Sammi laughs against her mouth, giddy, then catches Eriko’s lower lip between hers in a kiss that makes the building’s rafters creak softly.

Outside, a volley of fireworks explodes in red and gold. Their light flickers through the curtains, laying shifting patterns on bare skin and rumpled clothes. For once, the theatrics belong entirely to someone else.

Sammi guides Eriko gently backward toward the bed, her hands sure now, her smile wicked and tender at once.

“Still okay?” she breathes.

“Yes,” Eriko says, eyes dark and clear. “Please keep asking, and please keep going.”

It is the most Eriko way possible to say: I want you, entirely.

Sammi obeys.


The Small, Keen Earth-Shake

Later, details blur into a warm, shimmering continuum: the way Eriko’s fingers clutch at the sheets, then at Sammi’s shoulders; the tiny, breathless sounds that escape her when Sammi finds exactly the right angle, the right rhythm; Sammi’s own surprised, helpless laughter when Eriko chooses a sudden boldness of her own in return.

None of it is visible from outside. The curtains, at the building’s discreet insistence, have drifted closed. The window-eye is resolutely turned away, pretending to admire the procession’s lanterns.

But the effects travel.

At the crescendo of their shared joy—when Eriko gasps out Sammi’s name in a tone halfway between a theorem proved and a prayer, when Sammi feels herself falling and landing and flying all at once—the building’s beams tighten like a spine curling in pleasure.

The Causeway, caught in the sympathetic resonance, gives a tiny, delighted buck.

It is less than an inch, hardly a movement at all. But when thousands of tons of stone shift even that much, the world notices.

On the bridge, the Thearch’s palanquin jolts.

The bearers stumble, then recover with admirable professionalism. The lacquered panels rattle. Jade tassels swing wildly. Inside, cushioned in silk and protocol, the Son of Heaven himself blinks and glances down.

For a heartbeat, he feels something very strange: not threat, not collapse, but a kind of…exuberant shiver in the structure beneath him. As if the bridge is laughing.

“An omen, Your August Majesty?” murmurs one of his ministers, pale with concern.

The Thearch considers. He has walked this causeway since he was a child, long before the brass pipes and clockwork additions. He knows its moods: its sulks in typhoon season, its smugness in harvest festivals.

This—this feels like joy. Small, sharp, entirely sincere.

“Auspicious,” he declares at last, settling back as the palanquin resumes its smooth glide. “The bridge approves of our reign.”

The minister exhales in relief, already composing a proclamation about how even stone celebrates the dynasty.

The Causeway, who has not been consulted, hums thoughtfully. It is not actually thinking about reigns at all. It is thinking about two specific humans in one specific room and how their shared tremor made all its centuries of being walked upon feel newly worthwhile.


Aftershocks

Up in the apartment, Sammi and Eriko lie tangled in a heap of limbs and blankets and satisfied exhaustion.

The last fireworks crackle themselves into silence. The drums fade. The crowd’s roar recedes into the general murmur of night.

Their breath slowly slows.

“Did you feel that?” Sammi asks at last, voice hoarse from laughter and other things.

Eriko, still catching her own breath, blinks. “The fireworks?”

“No, the…little lurch. Like the building jumped with us.”

Eriko thinks about the moment—the way the mattress had quivered, the way a stack of books on the bedside table had slid half an inch, the way her whole body had seemed to ring like struck glass.

“I did,” she says softly. “I thought it was just me.”

Sammi grins, propping herself up on one elbow. “Oh, it was definitely you,” she teases, then yelps as Eriko swats her with a pillow.

Outside, the window-eye, curiosity finally overcoming discretion, swivels cautiously back toward them. It sees only two figures wrapped together, peaceful, and a room that looks as if joy has walked through it and rearranged the air.

The building sighs. Its sigh sends a faint, warm draft over them, smelling of old wood and new beginnings.

“Well,” it creaks down to the Causeway. “They didn’t break anything.”

They fixed something, the Causeway replies, still feeling the faint echo of that keen little quake rippling along its arches. They reminded us all that being crossed is not the only way to be used. Sometimes we are here to hold.

The lake, which has watched the whole business with professional detachment, gives a small approving ripple. No lies were told in that room. The green glow on its surface tonight is unusually dim.


Night on the Eye

A little later—after water and more wine and the kind of half-dazed laughter that feels like rediscovering one’s own voice—Sammi and Eriko curl under the duvet, shoulders touching, hands linked loosely between them.

Their bodies are pleasantly tired. Their minds are oddly clear.

From the street, snatches of conversation drift up: someone exclaiming over the dragon, someone speculating about the tremor, someone already trying to turn it into a ballad.

“You topped an earthquake,” Eriko murmurs at last, eyes closed but smiling.

“I had an accomplice,” Sammi says. “Two, if you count the Causeway.”

They lapse into comfortable silence.

This, Sammi thinks, is the time they were looking for: not just the sharp, bright peak of passion, but the soft landing afterward, the way their breaths fall into the same rhythm without effort. The small aches that say you were here, in my arms, real.

Outside their round window, the stars arrange themselves in whatever patterns they please. The Thearch’s palanquin disappears into the palace compound. The city slowly folds itself into night mode: some shops closing, others waking, gears ticking in quieter tempos.

On the Su Causeway, the stone feels very slightly lighter, as if it has set down a burden it hadn’t realized it was carrying.

In the top-floor apartment, on a bed warmed by hidden pipes and miracle, two women sleep with their fingers still loosely intertwined.

Somewhere between them and the foundations, the building dreams. In its dream, staircases learn to creak in encouragement instead of interruption, and every window-eye in the city knows when to turn courteously away.

The earth, having shaken just a little to make room for them, settles back with a contented sigh.



Tuesday, November 25, 2025

On Magicoreal Steampunque Song Westlake Su Causeway with Sammi & Eriko the Yurigeists of this Polderplace

 

Eriko insists the bridge was her idea.

“The Su Causeway was getting bored,” she said, the first week we moved in. “So it dreamed itself taller. I merely took notes.”

From the top floor apartment of the second building from the left, I mostly believe her.

Our round window is an eye that belongs to the lake. Every morning it wakes before we do, fogging over from its own private dream. The glass sweats little beads of West Lake mist, and when I wipe it with my sleeve I can see what sort of day Hangzhou has decided on.

Some days the surface of the water is a polished mirror, sliced into crescents by slow barges hauling tea leaves and silk bolts. Other days the lake is all steam and shouting, as if the boilers under the causeway have boiled the whole world too. Today is one of those days. Vents on the roofs exhale in ragged puffs, and the entire bridge-creature we live in is breathing, stretching, rattling itself awake.

Our apartment is shaped roughly like a teapot that grew extra rooms by accident. One long corridor, bulging in the middle, with two attic bedrooms wedged under the roof like thoughts you had but never wrote down. Pipes run along the ceiling, some for water, some for steam, and at least one for gossip. I know because if I put my ear to it in the evenings I can hear the noodle shop three doors down arguing with the clockmaker about the exact time when “night” begins.

Eriko calls our home “the observatory,” even though we have no telescope, just the round window and her stubborn faith that any place high enough can be an observatory if you are observant.

I call it “the round story,” because everything seen through that circle of glass wants to become a tale.


The top-floor hallway is narrow enough that we have to move in single file. Eriko goes first, because Eriko always goes first. She is carrying a stack of notebooks under one arm and the copper lunchbox I made for her under the other. The lunchbox has a little valve that lets out sighs of steam when she opens it; the vendor gave me a discount because he couldn’t get it to stop doing that.

“It’s considerate,” Eriko said. “It expresses how I feel before lunch.”

The stairs coil down around the old brick chimney like a dragon around a scholar’s tower. Somewhere beneath us the waterwheel grumbles. Its turning sends a slow shudder up through the spine of the building; to me it feels like a giant cat purring. To Eriko it feels like a metronome.

“Listen,” she says, pausing on the landing where the wall peels back to a slit of lake. “The wheel is half a beat faster today. The city is in a hurry.”

“Maybe the city overslept,” I say.

“That too,” she concedes.

We pass the door of our downstairs neighbor, Madam Zhen the clockmaker. Her sign swings over the door: CORRECTIONS OF TIME & OTHER REGRETS. If you bring her a broken watch, she’ll fix the gearwork and, for a little extra, the afternoon in which you broke it. People sometimes emerge from her shop blinking, shirts dry after yesterday’s rainstorm, suddenly uncertain whether they had the argument on the bridge or only imagined it.

We keep meaning to ask if she can fix the week Eriko spent trying to be “practical” and nearly took a job designing boiler valves instead of cosmic harmonizers. But the week gave us this apartment, so perhaps it knows what it’s doing.

We step out onto the sidewalk that is also a bridge that is also a causeway that is also a story that a Song emperor told about taming a lake with a line of earth. Nowadays, that line has erupted in houses and shops. Timber frames lean over the water like gossiping aunties. Roofs bump shoulders. Balconies shake out their laundry over passing boats. From our front door to the tea stand at the next arch there are precisely seventy-three steps; I know because the bridge counts them aloud in my head every morning.

One-two-three, it hums. You are awake.

Four-five-six, the waterwheel adds. So am I.


Hangzhou prides itself on being cosmopolitan, and our stretch of the Su Causeway is cosmopolitan squared.

A Persian spice-dealer’s stall clings to the outer railing, secured by ropes that remember better knots than their owner does. Next to him, a scholar from Dali sells miniature stone pagodas that, if you listen closely, recite the Heart Sutra backwards in the voice of a child. There is a bookstore specializing in banned commentary on banned commentaries, and a silk merchant who prints astrological charts directly onto sleeves so your destiny is always looking at you when you reach for something.

Over all this moves the usual Song dynasty traffic: officials in sedan chairs, students on donkey-back reciting poems at the exact wrong volume, Buddhist monks, Daoist priests, mercenaries with suspiciously clean swords, and tourists from every province trying to decide if the steampunk causeway is historically authentic.

It isn’t, of course. But history is just a draft that cities keep rewriting.

Above us, tram-cars shaped like carp whisper along overhead tracks, steam puffing from their gills. The carp-trams dive and rise between the rooftops, sometimes dipping low enough that Eriko could reach up and brush their brass bellies. She never does. “You don’t pet public transportation,” she says. “It might start expecting affection.”

We stop at Old Wu’s tea stand, which is really just a plank bolted to the side of the bridge, with stools perched in defiance of gravity. If you drop a cup by accident, the lake catches it and returns it later, filled with rainwater and lake gossip.

“Morning, girls,” Old Wu says, sliding two cups our way. The steam rising from them forms characters that spell out today’s headlines before dissolving.

“Anything exciting?” I ask.

“City council still arguing about whether to raise the bridge another story,” he says. “The lake spirits say they’d like a little more privacy. The landlords say they’d like a little more rent.”

Eriko sips her tea, watching the characters from the steam fade. “They should ask the wheel,” she says. “It knows how much weight the bridge can carry.”

“There it is again,” Old Wu chuckles. “Your girlfriend thinks the infrastructure has opinions.”

“It does,” I say, because I am loyal.

“See?” Eriko says to him. “Independent confirmation.”


Eriko walks to her post at the Institute of Metaphysical Engineering, which grew like a cluster of chimneys from the northern shore of the lake. I stay on the bridge; the bridge is my office.

My job, officially, is copyist at the printshop three arches down. Unofficially, I write stories in the margins. Hangzhou is full of margins. That’s where the magic leaks out.

Today I am supposed to copy a new tract titled On the Proper Regulation of Steam Spirits in Urban Environments. The author is concerned that the little fire-sprites who live in boilers are becoming unionized, demanding better ventilation and occasional incense offerings. He proposes regulations and licensure.

“What do you think?” I ask the printing press.

It considers, then clanks. The press is an old one, with a personality like a retired opera singer: moody, particular, secretly tender.

“The spirits were here before the regulations,” it wheezes. “They will be here after. Keep your wrists straight when you ink the blocks. I’m not straining myself for sloppy work.”

I behave. In between sheets I imagine the steam spirits marching on the city hall, wearing little metal helmets, chanting slogans. In my version, Eriko is called in as an expert consultant and accidentally becomes their negotiator. She would listen very seriously to their complaints about damp coal and overtime, then propose a plan that would make everyone slightly uncomfortable but strangely hopeful.

I tuck that aside for later. It’s probably a novella.

At noon, the sun hangs over the lake like a coin no one can reach. The round window of our apartment will be catching it, cutting it into fragments on our wooden floorboards upstairs. I eat lunch on the shop’s back balcony, legs dangling over the water. A carp-tram glides past at eye level. Inside, a boy is doing his homework with the determined misery of someone who knows the poem but not why he should care.

The lake murmurs against the pilings. Sometimes it speaks an older dialect of water that I don’t fully understand, but today it’s straightforward.

“Rain coming,” it says.

“How bad?” I ask.

“Enough to wash some regrets into me, not enough to drown them,” it answers. Lakes are used to a certain quantity of regret.


When the rain arrives it does so from below.

Those new to Hangzhou look up nervously at the thickening clouds. The locals glance down at the surface of West Lake instead. Where the first raindrops hit, rings of silver widen, and the reflections of boats and buildings ripple. Then the reflections begin to fall upward, lifting off the water and rising into the sky as shimmering copies of themselves.

The real raindrops follow, chasing their own images.

From the bridge, it looks as if two storms are passing through each other: one descending, one ascending. This is very good for business. People dart under awnings and into shops, buying tea, buying clocks, buying small stone pagodas that hum comfortingly in damp pockets.

“Sammi!” Eriko arrives at the printshop door, hair beaded with mirror-rain, notebooks clutched under her robe. “I need you to come home right now.”

“Are we getting evicted?” I ask, already reaching for my satchel.

“Possibly by metaphors,” she says. “Hurry.”

We dash along the bridge, bodies weaving around us like careful fish. Halfway home, the bridge shivers under our feet—a familiar movement, but today there’s a higher tremor threading through it, like a plucked string.

“The wheel’s overclocking,” Eriko mutters.

“Is that dangerous?”

“For the wheel? No. For the stories we tell about time? Potentially.”

This is the sort of answer that makes people in the Institute stare at her. I just match my stride to hers.

Our building seems to lean a little further over the water than usual, listening. The stairwell smells of damp brick and counseling. On the first landing, a rivulet of rain is flowing upwards, returning to the roof. On the second, Madam Zhen sticks her head out of her workshop.

“Your window,” she says. “It’s leaking eras.”

“That explains the call I got,” Eriko says.


The round window is sobbing quietly when we reach it.

Not with water. With moments.

Tiny droplets of time slide down the glass: a first kiss that hasn’t happened yet, the last chapter of a book I haven’t finished, a sunrise from five days ago that we watched together without knowing it would be important. Each little moment-bead bumps against the others, merges, splits, threads itself down towards the sill.

“Don’t touch them,” Eriko says. “Not yet.”

“What did you do?” I demand, because it’s always safer to assume she’s been meddling with metaphysics.

“Nothing reckless,” she protests. “I just asked the wheel to keep a backup of the afternoon schedules for the Institute in case the council decided to reset their clocks again. It must have synced with our window.”

“And now our apartment is time’s lost-and-found,” I say.

She smiles in a way that suggests she has no problem with that.

“Sammi,” she says softly, “think about it. We live in the top-floor apartment over the busiest causeway in Song Hangzhou. We’re already at the crossing point of so many stories. Now we’re a crossing point of times as well. Isn’t this what you wanted? Material?”

I look at the trembling window. In it, I see the bridge in endless variations: with cart traffic only, with trams shaped like dragons instead of carp, with no buildings at all, just a bare line of earth and young willows, with skyscrapers that seem to be made of glass calligraphy. All of them are real, somewhere along the wheel’s rotations.

“It is,” I admit. “But also I would prefer not to accidentally step into next Thursday while brushing my teeth.”

Eriko nods. “Reasonable. Here is my proposal. We tune it.”

“How do you tune a window?”

“Like any instrument,” she says, going to the closet and pulling out the small zither she bought from a street musician who claimed it was haunted by a very patient ghost. She sets it down on the windowsill. The ghost stirs in its strings, a faint pale shimmer.

“Good afternoon,” Eriko tells it. “We require your pitch.”

She plucks a note. Outside, the rain pauses mid-fall. Some droplets hang in the air like punctuation. Others reverse direction, uncertain which way is down.

Eriko adjusts the tuning pegs, finds another note, lower and rounder. The waterwheel far below responds with a bass rumble. Our whole building vibrates. I feel every shop, every stair, every conversation that has ever taken place on these planks shiver in my bones.

“Again,” she says. Pluck, hum, tremor.

And the window…relaxes.

The beads of time slow their descent, thickening into a single clear thread that hangs from the top of the frame to the bottom. It looks like spun glass, or a question drawn in water.

“There,” Eriko says. “Dedicated channel. If time wants to drip, it has to use this.”

“What do we do with it?” I ask.

“That’s your department.” She stands back, hands folded in her sleeves like a satisfied engineer. “Stories need a timeline. Now you can literally spool one out.”

I step closer to the window-thread. Inside it, scenes flicker: tomorrow’s market, next year’s fireworks, a day ten years ago when I will meet Eriko for the first time on a different bridge in a different city that this reality hasn’t heard of yet. It’s all there, braided together.

“Is it safe?” I ask.

“Not at all,” she says cheerfully. “But it’s ours.”


In the weeks that follow, our round window becomes the worst-kept secret on the Su Causeway.

People come under pretexts. The noodle seller brings us “extra broth,” which just happens to require simmering next to our window for an hour. Madam Zhen appears with a basket of malfunctioning alarm clocks that need to “absorb some ambient chronology.” Old Wu claims the stairs are better for his health than standing in his stall all day and spends half of every afternoon leaning against our doorframe, listening to the zither ghost hum along the time-thread.

We charge no fee. Instead, I ask each visitor for a story: something that happened to them, or could have, or should have. In exchange, they may look at the thread and see one moment: one glimpse of a regret, a hope, a possibility. The rule is that they cannot tell me what they saw, and they cannot change it.

“This is cruel,” Eriko says mildly.

“This is narrative discipline,” I answer.

I fill notebook after notebook. The stories aren’t about the moments themselves—that would be too easy—but about the people when they go back downstairs, back into the bustle of cosmopolitan Song Hangzhou, carrying under their ribs the knowledge that somewhere in the weave of time, something waited for them or missed them or almost happened.

Sometimes I see the same person three times in one week. They bring different pretexts, different offerings. Their eyes are never quite the same.

“You’re running a clinic,” Eriko observes one evening as we sit on the floor, backs against the wall, the window glowing softly with tomorrow’s suggested weather.

“I thought we were running an observatory,” I say.

“Observatories do clinics now,” she says. “Interdisciplinary.”

We share a bowl of rice laced with chili oil that claims to be imported from a region that does not technically exist yet. Outside, the carp-trams are lit from within, glowing lanterns gliding over the lake.

“If the council raises the bridge another story,” I say, “do you think our apartment will move up with it, or will we end up in the middle somewhere?”

“The bridge can’t do without its eye,” Eriko says. “We’ll stay on top. Cities need someone to tell them what they’re dreaming.”

“And what is Hangzhou dreaming?” I ask.

She tilts her head, listening. Far below, the wheel turns, the causeway creaks, the lake murmurs, the steam-spirits gossip in their pipes.

“It’s dreaming of never choosing between past and future,” she says finally. “Of being both: Song banners and smokestacks, silk and clockwork, sutras written on holographic paper. And of two ridiculous women who insisted on living in the highest, most impractical apartment on the bridge, because they thought the view might help.”

I lean my head on her shoulder. The window fogs slightly where our breaths meet on the glass.

“What if one day the wheel stops?” I ask.

“Then the stories will keep turning it,” she says. “That’s how time really works.”

Below us, the shops along the Su Causeway light their lamps, one by one. The Persian spice dealer tells a joke in five languages at once. The stone pagodas on the bookshop roof chant protective sutras against late fees. Somewhere, a steam spirit files its union paperwork and feels very optimistic.

And in our round-windowed teapot of an apartment, on the top floor of the second building from the left, in a cosmopolitan Song Hangzhou that has refused to decide where it belongs in history, I open a fresh notebook and begin:

Eriko says the bridge was her idea. This is what happened after the city believed her.